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PSYCH


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#1
Slowpoke

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PSYCH
Starts July 7th - 10 p.m. - USA network


http://www.usanetwor...m/series/psych/

Finally a new cop / detective show with a dash of humor biggrin.gif
Be sure to click on the 'Video Preview' .... gives you a good idea of what to expect.

Can't wait excl.gif

#2
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I plan to slow. It comes on right after Monk which is another one I always watch so it will be easy to remember when its on. lol

#3
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Courtesy of: TV GUIDE, ROUSH REVIEW

A Merry Medium
Psych mixes mystery with mischief



Dulé Hill and James Roday, Psych

If you're looking for a match made in TV heaven, Monk and the new Psych (Fridays at 10 pm/ET on USA) fit the bill. As a Friday-night double feature of lighthearted mayhem (Psych follows Monk), they prove that few places are more fun than a crime scene, if you're in the right company.
"All guaranteed fun" is the operating principle behind Psych, a clever romp about charming slacker Shawn Spencer (James Roday, who should become an overnight star in this role), who solves crimes while pretending to be a psychic.

We learn early on that, as a kid, Shawn's miraculous powers of observation were drilled into him by his gruffly disapproving, now estranged, cop father, played by Corbin Bernsen. (In a neat visual gimmick, objects light up as Shawn absorbs and analyzes all he sees, taking mental pictures that come in handy later.) Shirking adult responsibility but loving the thrill of a puzzle, Shawn regularly phones in tips to the police, until they become suspicious.

Improvising a new identity as a fake psychic is Shawn's get-out-of-jail card, and he leaps at the opportunity to play sleuth, dragging along his skittish best friend, Gus (The West Wing's Dulé Hill), for the whimsically dangerous ride.

Feigning seizures, visions and comical "surprise faces" as he playfully tweaks the skeptical (and, typically, clueless) detectives, this puckish Peter Pan is a delight. So is the show.

Of course, anyone tuning in for an actual mystery may be disappointed. As with Monk, the crime is largely an afterthought. Psych similarly serves up murder as a fluffy soufflé, but what a tasty way to end the week.

#4
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Courtesy of: TV GUIDE, INSIDER

Corbin Bernsen Is One Psych'd Fella

by Raven Snook


Corbin Bernsen, Psych

It's easy to take potshots at Corbin Bernsen. Although he was nominated for a pair of Emmys during his eight-year run as womanizing divorce attorney Arnie Becker on L.A. Law, his subsequent projects have been spotty. For every A-list appearance — a recurring role on The West Wing, the first two Major League films — he's made D-grade duds, numerous low-rent TV-movies and the third Major League film. That said, Bernsen's fans should be very enthusiastic about his hilarious new USA Network series Psych (premiering tonight at 10 pm/ET). This comedic crime series (a "crimedy," if you will) revolves around Shawn Spencer (James Roday), a hyper-observant slacker who passes himself off as a psychic much to the chagrin of his disapproving father (Bernsen), a no-nonsense ex-cop. Bernsen chatted with TVGuide.com about his new role — and his reputation.

TVGuide.com: It's great to see you back in prime time.
Corbin Bernsen:
Thank you. It's fun to be here. I don't want to jinx it, but I think we've got a good show. There's a real synergy among the cast, the crew and the executives. Everybody is working together and clicking, and that's not common.

TVGuide.com: Must remind you of your old L.A. Law days.
Bernsen:
Absolutely. We were nine actors working in unison. Psych has that same vibe, and on top of that, the scripts are great. The tone is really set forth by [creator] Steve Franks, who wrote the Adam Sandler film Big Daddy. I was a big fan of that movie. It really struck something in me. Steve is a lot like [L.A. Law creator] Steven Bochco in that they both have a wonderful ability to blend comedy and drama.

TVGuide.com: Sounds like you always work well with people named "Steve."
Bernsen:
That must be it.

TVGuide.com: Your Psych character, Henry, reminds me of Arnie in some ways. On the surface he seems like a jerk, but underneath it all he's a good guy who's just miserable.
Bernsen:
I have the corner on that kind of character. A guy like Arnie Becker by all appearances should be happy — he's good-looking, drives a Porsche, makes tons of money, is a well-respected lawyer, he's got girls galore — but close the door and he's the most miserable guy in the world because he really wants to be with somebody. Henry was a good, well-respected cop and he retired with honor, yet he wishes he could be closer to his son. Both Arnie and Henry are seeking relationships that their own life agendas have not made available to them. No matter how happy and content they look, they're missing something enormous.

TVGuide.com: And yet in real life, you and your wife, actress Amanda Pays, are happily married and have four children, so you're the antithesis of these guys. How do you play them so convincingly?
Bernsen:
It's something my mother [longtime The Young and the Restless star Jeanne Cooper] taught me. I have an enormous empathy with these characters because I know what they're missing.

TVGuide.com: That technique really works for you. Your relationship with your Psych son, James Roday, adds pathos to an otherwise light, witty series. I think it's the heart of the show.
Bernsen:
You and the network both, evidently, because they've asked me to do much more than originally planned, which is good news for me.

TVGuide.com: Before Psych, you were appearing on General Hospital. Having started out on Ryan's Hope, did it feel strange going back to daytime?
Bernsen:
I want to correct what you just said: I never viewed it as "going back." I love acting. I love this whole business. I don't see a hierarchy between soaps and feature films, B-features and A-features, prime time and daytime. It's all acting. I'm an experimenter, and I like it all.

TVGuide.com: Do you feel your willingness to do all kinds of projects — from independent films like Kiss Kiss, Bang Bang to two rounds of Celebrity Mole to the direct-to-DVD feature Carpool Guy, which you also directed — has helped or hurt your career?
Bernsen:
Well, I keep on working, so my ego has put aside all the people who go, "He's a schlock actor. He'll do anything." Here's the way I look at it: You're a bricklayer, and one day you're building a temple, and the next you're building a shed. At the end of the day, you're building something. We should all be so lucky that every project is a temple. Only the very privileged — Tom Cruise, Tom Hanks — get the pick of the litter. So I don't worry about it when Entertainment Weekly goofs on me.

TVGuide.com: Do they make fun of you a lot?
Bernsen:
Oh, I can't get a kind word out of them! Although they did say something nice about Psych.

TVGuide.com: That's because it's "hip and cool."
Bernsen:
Well, I'm not hip or cool — I'm a journeyman and a family man. I'm not getting busted or cheating on wife or making X-Men 3. I'm a guy who does his own little thing with soap operas and small films. So if Psych can be hip and cool, more power to me.

#5
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Moved post by Wyman: Monk comes back tonight and a new show called Psych comes on right after it (on USA Network). Monk is always great and I've read a bunch of reviews for Psych and almost all have been positive. Is anyone else watching these shows?

#6
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LOL add another show to my must watch list.


great show

#7
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I'll watch it again.

I'm always glad when the pilot show is over.... now they can get on with it....

#8
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Courtesy of: TV GUIDE, THE WATERCOOLER

Psych

by Raven Snook

July 7, 2006: It’s All in the Stars
So I’ve read a lot of snarky reviews about Psych and while agree that — judging from the pilot — it doesn’t match the masterful Monk, I found this “crimedy” to be a lot of far-fetched fun. The casting is certainly tops. As Shawn Spencer, the slacker with a photographic memory posing as a psychic, the loquacious James Roday has a Zach Braff-type of appeal, a hybrid hipster-nerd with sharp comic timing (even if some of his quips are more crappy than snappy). But it’s the supporting cast that really shines. Although as Gus, Dule Hill is saddled with one of the saddest stereotypes in the book — the uptight black sidekick — he manages to wring laughs out of the lamest lines and his exasperated reactions to Shawn’s shenanigans consistently had me giggling. Corbin Bernsen’s also a treat as Henry, Shawn’s tough, disapproving father. So nice to see him back in prime time. (Check out my Insider for Bernsen’s take on the series.) The three actors playing the detectives (Maggie Lawson, Timothy Omundson and Kirsten Nelson) do what they can with severely underwritten roles. As the comely cop Juliet, Lawson looks like she’ll get something to do, particularly if there ends up being a triangle between her, Shawn and Omundson’s Carlton (much as I loved Omundson on Judging Amy, can he please play a character who isn’t a tight ass?)

Some of my favorite moments:

• The flashback to Shawn as a child, when Henry forced him to close his eyes and recall how many hats were in the diner. We gained incredible insight into these two characters and their tense relationship in that one tight scene.
• Shawn’s witty exchange with the big biker guy (did anyone else think he looked like Tom Savini?) in the police station.
• Shawn asking, “Do I pay taxes on my reward money?” I bet Survivor's Richard Hatch has some advice for you, hon.
• Pretty much everything Dule Hill did or said.
• Henry and Shawn’s reunion. I think their relationship is the heart of the show. It was good to see that Shawn didn’t have to be glib 24/7. In fact, with his father, he was positively insecure.

Some of my big issues:

• While I’m OK with the camera zooming in on the details Shawn notices, do the things have to glow, too? I think one gimmick is enough, thanks.
• Even though he doesn’t have ESP, Shawn’s clearly a gifted guy. Are we really supposed to buy that he never found a way to make money off his talents before? And he lives pretty well for a guy who supposedly can’t hold down a job.
• The show’s hipster trappings, everything from using the Violent Femmes’ “Blister in the Sun” in the promos to Shawn’s impossibly cool clothing. I was waiting for Poochie from The Simpsons to show up.

But overall, I definitely think the positives outweigh the negatives. And while I can’t see into the future, I believe Psych has promise, as long as everyone stops comparing it to Monk. Oh, and if USA starts going a little easier on promoting the show. I don’t think I need commercials telling me to tune into Psych when I’m in the middle of watching an episode!
Posted by Raven Snook 07/8/2006 1:18 PM

#9
ART VAN DELAY

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Gotta be a HIT like MONK

#10
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OK... Shawn has to tone down the exaggerated "psychic" moments huh.gif

Besides that - - looks like it's shaping up to be a keeper.

#11
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So far so good for me! I'm liking the Gus/Shawn duo.. they're pretty funny together.

#12
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Courtesy of: TV GUIDE, THE WATERCOOLER

Psych

by Raven Snook

July 14, 2006: Spelling It Out
This second episode of Psych made me laugh out loud several times. I’m definitely digging the humor. (See below for my favorite lines.) It’s the serious side of the show that needs tweaking, or rather toning down. Shawn’s relationship with his gruff father, Henry, is one of my favorite parts of the series. Their tense interactions are filled with details that reveal their troubled history, from Henry’s disapproving frowns to Shawn’s glib but defensive attitude. So why do the writers feel the need to spell out their past, over and over and over again? When Shawn asked his dad if he could get one of his police buddies to run some poisoned Chinese noodles through the lab, Henry demanded that he complete the doghouse he had started building in eighth grade. Henry was trying to teach Shawn, a self-declared flake, a lesson about finishing what he started. It was such a wonderful, poignant moment.... So why did the writers have to add in a flashback of young Shawn beginning then abandoning the doghouse? I think we would have gotten it without that. We also didn’t need Henry delivering the moral of the story over and over. Less is more, guys. Trust me.

But take out those needless redundancies and this is a hilarious little show. This week a new detective arrived: Maggie Lawson as Juliet O’Hara (replacing poor Anne Dudek, whom I liked). Her introduction was quite slick, with Shawn flirting with her at a diner while she was part of an undercover sting. It’s clear there’s going to be some kind of romantic tension between these two. Of course, that leaves Shawn’s hard-ass police nemesis Lassiter out in the cold. (Timothy Omundson really has the most thankless role on the show).

Since the murder mystery revolved around a prestigious regional spelling bee, Gus was actually pumped about working it, which prompted Shawn to ask, “How come I can’t get you this excited about girls?” Yes, Gus is an über-nerd. One of those guys who takes pride in using SAT words and probably collects bugs and memorizes presidential trivia (I know a couple of guys like that). Years earlier, Shawn had sabotaged Gus at this same high-profile bee, so Gus was desperate to solve the case. Some of my favorite lines:

• Gus telling Shawn to “stop hating on the bee.”
• Shawn asking Gus if he was watching “Korean porn” when he was tuned into the bee.
• When Gus said that winning a spelling bee taught dignity and poise, Shawn responding, “All things you can get at a hot-dog-eating competition. Plus, free hot dogs.”
• Gus calling his nose “the super smeller” and Shawn suggesting he name his butt, instead.
• Shawn asking one of the bee competitors to spell “onion” and someone quipping “even Dan Quayle could spell that.” (An oldie, yes, but still a goodie.)

Even the mystery was cool and twisty. Although it was obvious that one of the other spellers took out the favored player and the bee bigwig, the final reveal was fun. I also dug Corbin Bernsen’s rug in the flashback scenes (can’t William Shatner get his toupees from the same store?) and the soundtrack, which traded in last week’s Violent Femmes for riffs by Nine Inch Nails and the Beastie Boys. Much like Shawn’s shtick, Psych’s eccentric if formulaic charm is consistently winning me over.
Posted by Raven Snook 07/16/2006 12:05 PM

#13
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Psych

by Raven Snook

July 21, 2006: Lack of Engagement
A lot of people complained that last week’s episode of Psych wasn’t all that funny, yet I often found myself laughing out loud at Shawn’s and particularly Gus’ antics. This week though, I definitely wasn’t into it. The mystery was lame; Gus and Henry, my two favorite characters, had little to do; and Carlton continued to be a too-easy foil for Shawn.

I also have yet to warm up to Juliet, the new detective. I really think the creators made a mistake booting Anne Dudek for Maggie Lawson. Dudek’s character Lucinda was sleeping with Carlton and yet had a soft spot for Shawn. That would have made for a nice triangle and also bolstered Carlton’s dislike of the fake psychic. The way it plays now, Carlton comes off as a total jerk, and Juliet seems bemused by everyone. (I keep waiting for her to start talking like a spoiled California teen since Lawson looks so much like Alicia Silverstone, it’s distracting.)

Shawn’s horniness is also getting old. I know it’s just another indication of his arrested development, but I really wish we could see him collecting action figures, instead.

The episode wasn’t a total washout. There were some amusing exchanges, like Shawn’s initial conversation with Lacy, the sister/maid of honor/wedding planner/murderer. After Shawn observed that she wore many hats, she replied, “You should see my closet,” and without missing a beat he said, “I’m hoping to.” (Yeah, I know I just complained about his constant flirting, but that did strike me as funny.) I also liked when Shawn hid in the air vent to spy on Carlton’s case briefing. It reminded me of Judd Nelson in The Breakfast Club. And Gus had two great moments: when he criticized Shawn for inventing his fictional female pet (“Can’t I have a make-believe boy cat?”) and his awed expression when he said he got a lap dance from Patrick Swayze.

I really missed Henry and Shawn interacting in this episode. Besides the requisite flashback, they had only one other scene, with Henry yelling at Shawn over the phone to come pick up his trophies. (An interesting coincidence, since trophies also figured prominently in this week’s Monk.) If this third episode proves anything, it’s that the supporting players are as integral to the series’ success as James Roday. More Dule Hill! More Corbin Bernsen, with or without the toupee! Otherwise the show feels more like a cipher than a psych.
Posted by Raven Snook 07/23/2006 12:40 PM

#14
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Courtesy of: TV GUIDE, THE WATERCOOLER

Psych

by Raven Snook

July 28, 2006: Could You Say That Again?
OK, either my hearing is going, or Shawn mumbles a lot. I found myself rewinding my tape (yes, I still use a VCR) over and over again in order to hear his dry quips. Particular when he and Gus were in the car talking about their mutual love for Meredith Baxter Birney. I had to listen three times before I understood that Shawn said "MBB gave birth to APK."

From the outset, it was clear that Raylene was evil. Anyone that sweet is bound to be trouble. Poor Gus. It was painful to watch him fall for her. If Shawn were really a good guy, he would pass one or two of his conquests on to Gus. People have previously complained that all Shawn and Gus did was bicker, and that it was hard to believe they're friends. Up until this episode, I didn't have a problem buying into their opposites-attract relationship (look at Oscar Madison and Felix Unger, or Ferris Bueller and Cameron Frye). However, when Shawn started getting flirty with Raylene (that seems to be the only way he can relate to women), I was surprised Gus didn't call him on it. He really needs a backbone to go with his "super smeller."

Although Corbin Bernsen was completely MIA except for the mandatory opening flashback, the interplay between Gus and Shawn made the episode. They had some wonderful exchanges (when I could understand them). Shawn drove Gus crazy yelling "Bingo!" so he changed to "Yahtzee!" Gus impressed Shawn with his sensitive nose. The two of them were a great team when they outwitted the dumb ex-con. The look on Gus' face as he held up three fingers was absolutely priceless.

The writers worked overtime this episode to emphasize how Maggie Lawson's Juliet is different than Anne Dudek's Lucinda. Not only did she make it clear to Lassiter that she wasn’t into any on-the-job hanky-panky, she also questioned every move he made. Meanwhile, although Gus complained that he "liked the other one better" meaning Lucinda, Shawn replied, "Not me," while practically smacking his lips. I’m guessing Lucinda will never be mentioned again, sort of like Star Trek's Captain Pike.

I know I haven't talked much about the actual mystery. Honestly, the plots are just what the writers hang the punch lines on (in case you missed it, innocent bank robber's widow wants to know where her husband buried the money, but it turns out he's not dead and she's not very nice). And so I will end with my favorite line, from Shawn to Gus: "You're attracted to dangerous women. Joan Jett. Penny Marshall. Grace Jones. The woman who played Pinky Tuscadero." Poor Gus. He really does have issues.
Posted by Raven Snook 07/30/2006 10:12 PM

#15
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Courtesy of: TV GUIDE, THE WATERCOOLER

Psych

by Raven Snook

August 4, 2006: Suicide Club
Thank you for enunciating, Shawn. For once I didn't have to blast the volume in order to understand your one-liners, which were pretty funny. But the mystery? You've got to be kidding me. I'm not even going to address the silliness of the serial killer's motive. (Then again, serial killers aren't known for their logic.) Still, I thought the whole murders-disguised-as-suicides plot was pretty lame.

However, that's not why we watch the show, right? We tune in to watch Shawn drive everyone crazy, something he certainly has a talent for. His cat impression, or rather his impression of the cat's impression of its owner, complete with high-pitched female voice and Fosse jazz hands, was hysterical, as was his relationship with the feline. Poor Gus was relegated to the backseat of his own car while the cat rode shotgun. Lassiter, who up until now has been a pretty one-note villain, also made me laugh a few times, and while the lines aren't funny on their own, it was the way he said them that amused me. When he ran into Shawn and Gus at the home of the first victim, he exclaimed, "What in the name of sweet justice are you doing at my crime scene?" with gleeful venom. And the way he said "nice" when he spied the cat peeing was hysterical.

Even though I could see this joke coming since the very first episode, the scene when Shawn and Gus posed as a gay couple was very amusing (and not offensive, which was refreshing considering that gags like that often end up seeming homophobic). Since Gus is uncomfortable about almost everything, his shock when Shawn put his arm around him was in keeping with his character. The look on his face when Shawn talked about them taking a "shower for two" had me cackling. As Shawn said, "I only said that so I could see your face when I said it."

Juliet's showing a little more spunk and Shawn is so interested. She is female and a size 4, after all. When he begged her to look into the victims' telephone records, she asked, "Why would I do something like this for you?" His response: "Some would say it's the hair." Yeah, right. Honestly, I could see Shawn doing really well with college ladies, but any gal over 30 is going to see right through him.

There were two fantastic lines in this episode, both featuring pop-culture references (of course). When Gus asked what Shawn was doing as he feverishly scrawled figures he said, "I don't know. But I see it on Numbers all the time. It seems to work for them." And later, when Gus asked Shawn if he noticed the stress-hotline operator's eyeliner, he replied, "That guy could be the drummer from The Cure." I loved that Mr. Eyeliner was listening to "Up, Up and Away." (As a goth chick who listens to show tunes, I totally related to him.)

A lot of commenters have been complaining that Gus' constant exasperation with Shawn is getting old. But I don't agree. For me, Gus (and Corbin Bernsen as Shawn's father, god I can't wait until they give him more to do!) is a big reason why Shawn's shtick doesn't fall flat. It may seem like Dulé Hill is all eye-rolls and pouts as Gus, but there's a lot more going on underneath the surface. Gus is intelligent and focused, but cautious and scared. Shawn is intelligent and takes risks, but he's completely lost. They balance each other out. At the end, when Gus told Shawn, "You may be my only non-work friend, but you're my best friend," it was a little sad. But it also explained why they remain buddies, even when Shawn treats poor Gus so abominably.
Posted by Raven Snook 08/6/2006 1:48 PM

#16
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Psych

by Raven Snook

August 11, 2006: Uncivil War
For me, the funniest part of this episode was when Shawn asked Gus to participate in the Civil War reenactment. Gus lowered his eyelids, glared at Shawn and asked, "And exactly what part would I play in this?" Although the word "slave" was never mentioned, it was clear what Gus was thinking. Of course, Shawn got him to agree to it by invoking the legacy of an Oscar-winning African-American actor. "I was thinking Glory. I was thinking Denzel." Poor Gus, suckered by Shawn's shtick once again. Gus ended up in a band uniform with a plume atop his head, not exactly as smart as Shawn's military garb. Although Shawn and Gus are classic antithetical buddies, race seems like the least of their differences. It's funny to note that James Roday, who plays Shawn, is Hispanic in real-life (his birth name was Rodriguez). And here I was thinking I finally had a TV crush on a nice Jewish boy.

I was glad to see Corbin Bernsen getting more screen time. The inscription he wanted to put on the gold pocket watch he gave his son was classic: "Shawn, don't lose this watch. Henry Spencer." As if that wasn't bad enough, he was too cheap to pay for all those words! So it ended up reading, "Don't lose. Henry." God, he is an awful father. I love laughing at him, just like I giggle at the gross parental negligence of Homer Simpson and Peter Griffin. But is it any wonder that Shawn turned out to be so trying? A father like Henry is liable to drive anyone to rebel. He's lucky Shawn only ended up being a sarcastic hipster. He might have chosen to be a criminal just to spite him.

Lassiter looked damn fine with 19th-century facial hair, and the uniform fit him well, too. But he so needs to lighten up. His relationship with Shawn is taking on a Chief Dreyfus-Inspector Clouseau vibe. Does he really always want to be the jackass?

The mystery was a little less silly than usual, the basic rip-yourself-off-for-the-insurance scam. There were a lot of funny lines, mostly from my boy Bernsen. When Shawn was tardy he said, "He came late at birth and he's been late ever since." When the jeweler suggested that he end his inscription with the words "Love, Dad," he replied, "Why don't you just put, 'Kissy, kissy'?" And his excuse for giving Shawn his birthday present late? "After you were born it took you four months to smile at me. That's when the clock started ticking." And I thought my dad was cold! I definitely feel like Psych is finally hitting its stride.
Posted by Raven Snook 08/12/2006 10:26 PM

.............................

Any one still watching?

#17
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Psych

by Raven Snook

August 18, 2006: What the Hell Happened to Frank Whaley?
While I was glad to see him working, Frank didn't look so hot in this episode (back in the '90s, I used to have a major crush on him, which is now officially dead). But I thought he did a great job of playing two characters, er, personalities... three, if you count the killer Martin Brody at the end. That said, how lame (not to mention homophobic) was the whole transgendered-killer angle? This isn't a political blog and Psych is obviously not a political show. I just thought that cliché went out with The Silence of the Lambs (of course, now that the JonBenet suspect has revealed that he wanted a sex change, I'm sure we can look forward to a Law & Order featuring a trannie psycho).

I'm glad the casting directors have finally decided to stick with Liam James as the young Shawn. It took them three child actors to settle on James. Every week I wondered who Corbin Bernsen would be fathering. Bernsen's really not getting enough to do. Last week, that whole bit with engraving the pocket watch was hilarious, and I really missed him during this episode. I would have loved if the guys had found a reason to take him on their San Francisco road trip. Eight hours of Shawn, Gus and Henry trapped in a car: Now that would be funny.

The minute Gus started telling Shawn his ghost story about Wilting Flower, I cringed. I knew that Shawn would turn out to be Wilting Flower, although I figured he wouldn't reveal that until the end of the episode. Sometimes Gus is just a little too naive, the same way Lassiter is just too obtuse. Hey, writers, if you're listening to me (which I'm sure you're not), maybe ease up on the archetypes. Even Tom beat Jerry once in a while. Think about letting Gus put one over on Shawn for a change. (Speaking of the Psych writers, tonight was the first time I noticed that show creator, Steve Franks, also composed the theme song. How very Glen A. Larson.)

Shawn, as usual, had some great lines, and for some reason, I laughed at the most obvious ones. When Gus saw that their new administrative assistant was a model, he asked, "Does she file?" Shawn's response: "Mostly her nails." Or when Robert's ex-girlfriend asked how Shawn knew the main character in Jaws was named Martin Brody, the way he said "Because I've seen Jaws" cracked me up. And I loved when Shawn was trying to place which film centered on a house built on an old Indian burial ground. (It's Poltergeist, for the two of you out there who weren't sure. And Sally Field had multiple personalities in Sybil in case you were wondering.) I also totally related to Shawn and Gus text-messaging each other while in the same room. My husband and I IM each other when we're sitting together on the couch. Hey, typing in all caps is better than screaming. And the neighbors never even know you're fighting.

Notice that I haven't mentioned the mystery. And I don't plan to do so now. We all know why we watch this show, and the word "mystery" has nothing to do with it. Although I did spend a good deal of time mulling over Whaley's wig. He looked like the missing member of Bon Jovi.

In closing, I am so looking forward to the season finale. Anything to do with Star Trek gets me hot. OK, well, maybe "hot" is not quite the right adjective. But I am excited. George Takei! Oh my.
Posted by Raven Snook 08/20/2006 10:30 PM

#18
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Courtesy of: USA, PSYCH

PSYCH RE-OPENS FOR BUSINESS IN JANUARY


We're sorry, but the Psych office will be closed from now until January 2007, when Shawn and Gus return with seven all-new episodes. Please direct all inquires to Det. Carlton "Lassy" Lassiter until then.

And in case you were wondering, business has been so good at Psych that USA Network will be bringing the boys back for a Second Season!

#19
ART VAN DELAY

ART VAN DELAY

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The 2nd season of Psych starts on Jan 19th after the new season of MONK

#20
ART VAN DELAY

ART VAN DELAY

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USA is having a Psych Marathon here are the shows and times :


12:30 PM PSYCH MARATHON PSYCH (PILOT)
02:00 PM PSYCH MARATHON 9 LIVES
03:00 PM PSYCH MARATHON WEEKEND WARRIORS
04:00 PM PSYCH MARATHON SPELLINGG BEE
05:00 PM PSYCH MARATHON WOMAN SEEKING DEAD HUSBAND - SMOKERS OKAY, NO PETS
06:00 PM PSYCH MARATHON SPEAK NOW OR FOREVER HOLD YOUR PIECE
07:00 PM PSYCH MARATHON WHO YA GONNA CALL?





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